Inside The Gallery

Sydney Contemporary returns this month featuring more than 400 artists from 20 countries, with over 80 galleries converging on Carriageworks from September 12. Barry Keldoulis shares the history of this huge art fair, and lets us know what to expect.

Lisa Fehily has launched Finkelstein Gallery in Melbourne with an exhibition exclusively featuring female artists. Lisa hopes to lift the visibility and inclusion of women artists in galleries around Australia and around the world.

Transcripts of interviews are available for download HERE. The transcriptions are made possible by the support from Pixel Perfect Prolab - The photolab for professionals.

In this special edition highlighting the banning of recent Australian artworks, Paul Yore discusses the removal of his Taste The Feeling from a gallery in the UK.

Allan Goedecke is confounded by the rejection of his sculpture from an awards exhibition in Melbourne.

Gillian Govan reflects on walking the line between corporate support of the arts  - and acquiescing to corporate censorship. 

Transcripts of interviews are available for download HERE. Transcriptions are made possible by the support from Pixel Perfect Prolab - The photolab for professionals.

Should art galleries be subject to censorship? With the current ''Culture of Outrage,'' when a work of art is considered socially unacceptable, do galleries have a responsibility to remain 'decent'? Gill Nicol, Director of Audience Engagement at Sydney's Museum of Contemporary Art shares her thoughts.

Combining art disciplines, the Fremantle Arts Centre in Western Australia presents Other Suns: Cult Sci-Fi Cinema & Art alongside the Revelation Perth International Film Festival. Curator Erin Coates talks about the collaboration with Jack Sargeant, as well as the challenge of being an artist who also curates.

Transcripts of interviews available for download HERE.

This podcast is supported by Pixel Perfect Prolab - The photolab for professionals.

50 years since the manned moon landing, and the Gippsland Art Gallery in Sale has curator Erin Mathews busy with their look into space.

Connecting the dots between industrial design and art, Campbell Bickerstaff has The Ideal Home at Sydney's Powerhouse identifying historical issues via furniture and appliances.

More on Spaces in Unusual Places, the Maverick Gallery in Coolangatta finds its home in a hair styling salon. Gallery owner Byron Coathup talks about the synergy and the challenges.

Transcripts of interviews available for download HERE.

This podcast is supported by Pixel Perfect Prolab - The photolab for professionals.

- This episode contains one instance of coarse language in context and adult concepts - 

Spinning our Podcast Prizewheel didn't predict the Australian election result (did anyone?), but it has selected an interview with Esther Anatolitis, Exec Director with the National Association for the Visual Arts, describing the electoral impact on Australian arts and culture.

Alexie Glass-Kantor gives us insight into the massive growth of Artspace's 52 Artists 52 Actions from an Instagram project and publication, to a bricks and mortar exhibition.

David Williams talks about the task of staging the White Rabbit Gallery exhibition A Fairy Tale in Red Times at the National Gallery of Victoria.

Transcripts of the interviews are available HERE

This podcast is supported by Pixel Perfect Prolab, the premier lab for faithful photographic reproduction.

Inside The Gallery takes at look at the Notre Dame fire with Prof Mark Ledbury, discussing the priceless artworks lost (and saved).

Vanessa Gillen previews this year's Cairns Indigenous Art Fair (CIAF), now celebrating its 10th year.

Artist John Klein talks about the rise of Artist Entrepreneurs.

And we celebrate the Podcast Prize Wheel finally scoring a sponsor!

Inside the Gallery is produced and presented by Tim Stackpool.

This podcast is sponsored by Pixel Perfect Prolab, the premier lab for faithful photographic reproduction.

A transcript of the interviews within this podcast is available HERE (pdf)